Wellcome uses cookies.

Read our policy
Skip to main content
124 results filtered with: Music
  • Horlicks transition modulator : price, one shilling : the keys to health / Horlicks Malted Milk Company.
  • People and animals entering Noah's ark, transposed into a 16th century Dutch landscape. Engraving by A.J. Landerseel.
  • Music being played to a lady, while above an angel blows a trumpet into Jerome's ear; representing the sense of hearing. Engraving after G. Collaert, 1630, after N. van der Horst.
  • A man and woman dance outside a tavern named after George IV, a man plays a pipe and people sit drinking decorously. Etching by T. Lane (?), 1822, after J. Gillray.
  • Head of woman showing musical ability, according to phrenological classification. Drawing, c. 1900.
  • Dandies at the opera, one of them swooning, overcome with emotion. Etching by I.R. Cruikshank, 1835.
  • A background of multi-coloured jelly babies with the words 'Staying alive', advertising a benefit-gala in Berlin in aid of the Lighthouse AIDS hospice. Colour lithograph, 1995.
  • An illustration of a man and woman kissing representing an advertisement for an AIDS benefit music event featuring the Carlos Martins Quartet at the Esplanada Igreja da Graça on 8th September; issued by Abraco, an organisation providing services in the area of AIDS in Portugal. Colour lithograph, ca. 1990's.
  • The archangel Michael, holding a flaming sword and the scales of justice; in heaven the angels kneel before Christ; representing the Day of Judgement. Woodcut.
  • A female figure playing a stringed instrument; representing music. Engraving by A. Vallée after M. de Vos.
  • The strings section of an orchestra: three men playing, one man turning the page of the score. Coloured wood engraving after A. Oberländer, 1876.
  • A record cover entitled 'Red Hot Blue, a tribute to Cole Porter to benefit AIDS research and relief produced by EMI on 25 September 1990. Colour lithograph by Estudio Pedro Delgado, [1990].
  • The Assumption of the Virgin Mary. Woodcut.
  • Hunting: nets and snares for catching ground-feeding birds. Engraving, c.1762 by B.-L. Prevost.
  • Horlicks transition modulator : price, one shilling : the keys to health / Horlicks Malted Milk Company.
  • A seated woman, playing a guitar, wearing a fringed shawl. Photograph, ca.1900.
  • Jephthah's daughter contemplating her virginity and her imminent death, surrounded by woeful attendants with musical instruments. Engraving by P. Lightfoot, 1846, after H. O'Neil.
  • A woman sitting at an organ; representing the sense of hearing. Engraving, 16--.
  • Ceres on a chariot with children representing the months March, April and May, surrounded by forms of natural abundance, corybantes and cherubs, symbolising the element earth. Etching by A. Tempesta, 1592.
  • A man stands by a fountain playing music for his companions, who are also holding musical instruments. Coloured aquatint (?) by N. Whittock.
  • Techniques for engraving maps (top), and musical notation (below): tools shown between. Engraving by Defehrt (maps) and Madame de Lusse (music).
  • A man has fallen asleep as a young woman plays the piano. Etching and aquatint by Thomas Rowlandson after himself, 1784.
  • Musurgia universalis sive ars magna consoni et dissoni in X libros digesta / [Athanasius Kircher].
  • Musurgia universalis sive ars magna consoni et dissoni in X libros digesta / [Athanasius Kircher].
  • Music being played to a lady, while above an angel blows a trumpet into Jerome's ear; representing the sense of hearing. Engraving after G. Collaert, 1630, after N. van der Horst.
  • Two rows of soldiers, English and Sikh. Coloured transfer lithograph.
  • Conservatory of Music, Mexico: part of Mexico City University. Reproduction of drawing by E. Gimeno.
  • Indian musicians playing their instruments. Gouache drawing.
  • A group of musicians; representing the sense of hearing. Engraving by A. Bosse, c. 1650.
  • The Blessed Virgin with the Christ Child, Saint Jerome, Saint Francis of Assisi, and angels reading and playing music. Drawing by F. Rosaspina, c. 1830, after L. Carracci.